Heirloom Indigenous Woven Corn Series

Type of art: Basketry

Heirloom Indigenous corns woven entirely of ash wood. An old traditional style in the Penobscot tribe (late 1800's) now updated to reflect the Indigenous corns being grown by organic farmers in Maine, particularly the Calais Flint Corns (yellow and white). The Hopi Blue corn is inspired by my trips to Indian markets in the Southwest. The tray is woven ash with cedar bark striping (brown color) and sweet grass trim. The cedar bark is introduced as a 3rd material to our traditional ash and sweet grass baskets, as a way to conserve our precious ash trees, now being decimated in Maine due to the arrival of the emerald ash borer beetle. (Note: blue and yellow colors are commercial dyes on ash).

Materials: Ash, sweet grass, cedar bark

Technique: Hand pounded and split ash wood, sweet grass trim at the point where the corn actually open and split cedar bark on the tray basket. Ash woven bodies of the corn are double woven with a flat row under each curled row.

Size: Set is 10" x 10", individual corns range up to 9" long x 2" wide

Price: $3,000
Theresa Secord
Penobscot
wikepi@gwi.net
Theresa Secord (b.1958) is a traditional Penobscot basket maker and the founding director of the Maine Indian Basketmakers Alliance (MIBA). During her 21 years of leadership, MIBA was credited with saving the endangered art of ash and sweet grass basketry by: lowering the average age of basket makers from 63 to 40; and increasing numbers of weavers from 55 to more than 150; in the Maliseet, Micmac, Passamaquoddy and Penobscot tribes. Among honors for this work and for her own artistic excellence, Theresa received the National Heritage Fellowship from the National Endowment for the Arts in 2016. In 2009, she was honored with the First Peoples Fund Community Spirit Award and in 2003, the Prize for Creativity in Rural Life by the Women's World Summit Foundation, presented at the UN in Geneva, Switzerland; for helping basket makers rise out of poverty. Theresa learned to weave ash and sweet baskets on Indian Island from her mentor, the late Madeline Tomer Shay in 1988.
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